My work grows out of sustained looking. I am interested in familiar subjects and everyday environments—places and people encountered in passing—where meaning emerges gradually rather than through emphasis or drama. Portraiture, in particular, allows me to consider how individuals occupy cultural, spatial, and psychological frameworks without reducing them to narrative roles.
I have been making photographs for over 25 years, working primarily in fine art photography and portraiture. I hold a BFA in Fine Art Photography and continue to work predominantly with film, drawn to its physical presence, limitations, and refusal of speed.
Film is central to this approach. Its grain, imperfections, and delay introduce distance between experience and image, producing photographs that feel neither fully contemporary nor fully archival. Rather than explain or resolve, the work accumulates, allowing tension, humor, and contradiction to remain visible.
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